Man in the crowd
Stereotyping groups of people like the narrator does is simply deductive reasoning.
All was dark yet splendid --as that ebony to which has been likened the style of Tertullian. I observed that he now took the course in which had gone the greater number of the audience --but, upon the whole, I was at a loss to comprehend the waywardness of his actions.
By the dim light of an accidental lamp, tall, antique, worm-eaten, wooden tenements were seen tottering to their fall, in directions so many and capricious that scarce the semblance of a passage was discernible between them.
The man of the crowd movie
He crossed and re-crossed the way repeatedly without apparent aim; and the press was still so thick that, at every such movement, I was obliged to follow him closely. The narrator takes previously conceived views of people and uses them to make assumptions of a passerby. Theirs was the affectation of respectability; --if indeed there be an affectation so honorable. During the hour and a half, or thereabouts, which we passed in this place, it required much caution on my part to keep him within reach without attracting his observation. I looked at the passengers in masses, and thought of them in their aggregate relations. The remainder of the narrative recounts the various phases of that descent. Perhaps Poe's mystery was simply too subtle for his own good, and his hoax failed because his readers were no more attentive to the clues he had so carefully planted than was his observant but obtuse narrator. And yet the possibility of such perception is repeatedly called into question. Soon, however, I descended to details, and regarded with minute interest the innumerable varieties of figure, dress, air, gait, visage, and expression of countenance. The narrator even goes beyond physical appearance when he makes a connection that the mind takes an active role in external characteristics such as clothing and accessories. They wore the castoff graces of the gentry;- and this, I believe, involves the best definition of the class.
There have always been critics of any science, and for physiognomy, a critic was Leonardo da Vinci Physiognomy. Fain would I lay down my miserable life, for I envy those who enjoy the quiet of the Grave: But Death eludes me, and flies from my embrace.
The man of the crowd prezi
Even stereotyping people into large groups could not describe the old man that passed by the narrator's window. We come to understand, of course, that this foreshadows his characterization of the Man of the Crowd. This effect is produced partly by the use of dramatic irony. My figures seem disposed to stagnate without crowds about them. Their brows were knit, and their eyes rolled quickly; when pushed against by fellow-wayfarers they evinced no symptom of impatience, but adjusted their clothes and hurried on. At this particular period of the evening I had never before been in a similar situation, and the tumultuous sea of human heads filled me, therefore, with a delicious novelty of emotion. I watched these gentry with much inquisitiveness, and found it difficult to imagine how they should ever be mistaken for gentlemen by gentlemen themselves. At no moment did he see that I watched him. There was nothing very distinctive about these two large classes beyond what I have noted. These were known by their coats and pantaloons of black or brown, made to sit comfortably, with white cravats and waistcoats, broad solid-looking shoes, and thick hose or gaiters. In such texts, the issue is not merely the unreliability of the narrator, but the unreliability of narrative.!
It was about being closed, and the audience were thronging from the doors. He refuses to be alone.
For my own part I did not much regard the rain --the lurking of an old fever in my system rendering the moisture somewhat too dangerously pleasant. Then came a craving desire to keep the man in view — to know more of him.
Class in the man of the crowd
Their brows were knit, and their eyes rolled quickly; when pushed against by fellow-wayfarers they evinced no symptom of impatience, but adjusted their clothes and hurried on. Leon Luckily I wore a pair of caoutchouc over-shoes, and could move about in perfect silence. He refuses to be alone. Schubart's lyric goes on to provide a concise account of the epic wanderings of the Jew and his encounter with grand historical and natural events: the fall of Jerusalem and then of Rome; his inability to destroy himself by throwing himself first into the sea and then into Mt. Then came a craving desire to keep the man in view — to know more of him. He noticed me not, but resumed his solemn walk, while I, ceasing to follow, remained absorbed in contemplation. I had now a good opportunity of examining his person. The division of the upper clerks of staunch firms, or of the "steady old fellows," it was not possible to mistake. He is the only person walking down the street the narrator can't categorize. The real events of the story remain moments of perception.
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